Film

I've had the privilege of being able to work on the Visual Effects for three feature films. All three were great learning experiences, and I am grateful for the opportunities I was given to and to be a small part of their production. For credit information, here’s my IMDB page.

Tron: Legacy
Working for Digital Domain's Outsourcing Dept. for Tron Legacy, I helped coordinate between Digital Domain and many outsourced VFX vendors located in Mexico, India, and Canada. My job consisted of coordinating data transfers to and from vendors, organizing reviews, taking and distributing notes on shots, managing shot statuses, and reporting statuses to producers. I learned a great deal about how to manage an extremely large project, how to communicate effectively with outsourced vendors, and also about stereoscopic 3D filmmaking.
Alvin and the Chipmunks 2: The Squeakuel
Worked as Digital Coordinator for Rhythm & Hues Studios' Technical Animation department. Tech Anim deals primarily with secondary animation (hair, fur, and cloth animation and simulation). My job consisted of being a liaison between the Tech Anim department and the other departments within the VFX pipeline, attending reviews, taking and distributing review notes, managing shot statuses, and reporting statuses to producers. I was coordinating for three teams consisting of two teams in the U.S. of 15 artists each, and another team of 15 artists in India.
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Land of the Lost
Worked for Rhythm & Hues Studios as a Digital Coordinator for the Animation Department. My job included attending reviews, taking and distributing review notes, maintaining shot statuses, and being a liaison between the Animation department and the other departments within the VFX pipeline. I was responsible for one team in the U.S. of about 10 artists, and, towards the end of the project, I was also responsible for the team from India with about 10 artists. The best note I ever took was “Rotate the dinosaur’s head down a little so it really looks like he’s going to eat the Astronaut.”